I spent Thanksgiving alone. And it was totally fine! I didn’t want to do anything. What I wanted was a day to guilt-free binge watch some Once Upon a Time and Issa Rae’s Insecure, eat a giant bowl of Stove Top Stuffing, and enjoy a slice or two of sweet potato pie. So that’s exactly what I did. And it was nice. No travel, no kitchen messy from cooking (boiling water for Stove Top isn’t cooking), and no stress.
I needed that. Not because I’m an introvert, although that did play a part, but because I needed that guilt-free relax day. These past few months have been super stressful. In August I quit an unsatisfactory job but had sadness over leaving co-workers I liked. In September I packed up and cleared out the house I’d lived in for ten years - while making peace with the fact I was leaving the home I'd shared with my deceased boyfriend, Tom. In October that house went on the market and sold in three days and I had to move a week later. And I spent November unpacking and furnishing my new apartment. So I was tired, emotionally and physically. I needed to unwind and just relax in my new home. Recharge my batteries and start a new week fresh and ready to go.
I think my TV binging and pie eating accomplished that. The Lambic might also have helped. And now that I’m all powered up, I’ve booked a flight home to St. Louis for Christmas, started planning out the list of crafts that I want to make for gifts, and outlining a writing and publishing schedule for 2017. I feel good! And it was all thanks to a bowl of stuffing.
I have a type. A type that my eye immediately goes to and my heart always gets involved with. But I’m not talking about real life people, I’m talking about characters. My favorite character type is the tortured, dark-haired pretty boy. I love those guys. They make me want to wrap them up in a warm blanket hug and feed them cookies until they smile. So who are some of my favorites?
Number one has to be Sergeant Bucky Barnes aka The Winter Soldier. The poor man doesn’t even have control of his own mind! And all he wants is to be with his boyfriend – I mean errr… pal, Captain America, Steve Rogers. He's so emotionally wounded. He gets all the heart eyes from me.
Another favorite is CM Punk. He just wanted to show the wrestling world what he could do, but he was held down by the evil corporate bosses of WWE. How unfair!
With these tortured dark-haired types as my favorite characters to watch, it was only natural that I would write my own dark haired pretty boy to pull on my heart strings. Officer Clay Foster from The Sergeant was inspired by that archetype. I’d say of the characters I’ve written so far, he’s my favorite. He was so angsty in book one and now in book two, I’m torturing him even more. Bad me! But I can’t help it. And it’s okay, because of course he has Logan there to give him that blanket hug and cookies.
Of course I don't only write or pay attention to this type of character. But archetypes are important in fiction. They help readers to connect with a character, giving them someone to identify with. And of course readers don't always have the same favorites. It's what motivated the whole Team Jacob vs Team Edward era, everyone has a preference. (Oddly enough, I was Team Jacob there) Reading a book with a character who falls into your preferred type is what makes you fall in love with that hero. I always enjoy listening to fans explain why a character from a book, movie or TV show is their favorite. We're all so different and that's what makes it fun.
So what are your favorite character types to read and/or write? Are you on Team Dark and Brooding with me? Or do you like the sunshiney charismatic types? Or maybe you prefer the shy, quiet nerd boys. Let me know! I’d love to see everyone’s favorites.
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Originally posted on the Cafe Risque Blog
I’ve reached the point in my manuscript where I’m ready to share with everyone what I’m working on. I’m writing the sequel to The Sergeant! Logan and Clay are two of my favorite characters and I feel like they have a little more to say in their lives. So I’m giving them a second book. It’s nice to work with them again. I know them so well that their story and dialogue flow very easily for me. That’s a huge bonus when writing!
But – because of course there’s a but – it also hurts to write this story. As much as I would love to, I can’t write 80,000 words of happy-happy fun time for Logan and Clay. Which means my boys are going to have to have more drama in their lives. Nooooo! But I know they’ll work it out somehow. My goal is to have the conclusion to their story out in mid to late January. I’ll have a more specific date next month.
In the meantime, you’re welcome to check out the start to Logan and Clay’s relationship in The Sergeant. Or, if you’ve already read The Sergeant, you can stop by my site and read a couple of sexy-sweet one-shots I wrote for Logan and Clay HERE. Just scroll to the bottom of the page.
Thanks for reading!
Originally posted on CafeRisque.com
Today I want to talk about People of Color characters. Why? Because there was a big to-do this week about a YA book that appears to paint POC characters in an unflattering light. (I say appears because I haven’t read the book. But going by the blurb, I can understand why people aren’t loving the story’s premise.) I’m not going to talk about the specifics of that book or the arguments taking place around it. It’s not in the genre I write and there are already multiple posts and tweet threads on the topic. What I do want to talk about is writing POC characters in general.
There are two issues here. Some writers don’t want / are afraid to write a POC character because they aren’t sure they will do it right. And then there are writers who write POC characters without considering that their portrayal might be offensive or hurtful to a member of that race or ethnicity. This post is to help with both of those issues. I don’t want anyone to avoid writing an amazing story featuring a gorgeous POC MC. I want to see those men!
First and foremost, please don’t use stereotypes, especially those that are harmful. For example, if you’re writing Black or Hispanic MCs, think long and hard before you make him a prisoner or a gangster. If you’re writing a Black woman, she doesn’t have to be loud and sassy, or worse, angry. If you’re writing an Asian man, he doesn’t have to be a submissive bottom who is really good at math. Your readers don’t want to open your book and see the most negative thing about their cultural group when they just read ten other books that also mentioned that exact same negative thing. It hurts. It makes us tired. And it makes us decide not to give you any more of our book budget. Think outside those stereotypical boxes. How do you do this? WRITE POC CHARACTERS LIKE ANY OTHER CHARACTER.
I read and enjoyed Morticia Knight’s Building Bonds. She mentions that he’s an attractive Black man who is a Dom. She doesn’t really get too much into any other details. And that’s a-ok. Seriously. Just think of it as describing what hair or eye color a non-POC character would have. He doesn’t need to have a dozen other identifiers to drive the point home that he’s Black or Southeast Asian or Hispanic.
When I’m writing a book and my characters are white I don’t think of stereotypes like he must like country music, watch NASCAR and eat green bean casserole. I think of what makes that character who he is. Do the same thing when writing someone who is Asian or Middle Eastern or Canadian First Nations. Now, if you do want to write a story that delves into the culture of a specific group DO YOUR RESEARCH.
If you were writing a story where Greek gods found themselves living as pioneers on the old Western frontier, what would you do? You’d research the Greek pantheon of gods, look up what it was like to live in the old West, and then you’d write your story. Do the same thing when writing a story featuring minority characters. And just like you wouldn’t throw every fact you read about Greek gods and the old West in your story without determining why you’re using that fact, do the same thing when writing cultures besides your own. For example, yes it’s true, many Black women don’t like when people touch our hair. But unless there’s a reason for making that point that is integral to the story, leave it out. Don’t write POC characters who are cardboard cutout representatives. Cardboard characters are always boring.
And oh god, the dialogue in stories featuring minorities, especially urban minorities. Two things come to mind here. There was a book that made a brew-ha-ha last year because the author had the characters speaking in some hilariously strange and overly complicated version of Ebonics. No. Just no. I don’t know about you, but I don’t want to read an accent throughout an entire book.
If I were to read a Highland romance where everything the MC said was written in dialect I would toss that sucker in the trash. That’s too much for the brain to decipher without losing the flow of the story. Just give me a couple of lasses, drop the occasional ‘G’ at the end of a word and move on. If you’re writing an urban MC, mention that he has an accent. Maybe even toss in a slang word or two. That’s all that’s necessary to get the point across.
You might also consider if your POC character even needs to use slang. If you’re writing an older Hispanic man who is a school teacher, he may not have slang words in his vocabulary. Again, think about what makes that character who he is, instead of going for that cookie cutter stereotype.
But if you’re going to use slang, for the love of mocking reviews, please make sure you’re getting the spelling and usage correct. Last week, a journalist wrote coat-switching instead of code-switching* and I laughed so hard at the tweets about his goof that I had tears in my eyes. So ask. Start with Google. Hell, you can even try Urban Dictionary. Ask a friend. If they say no, they don’t want to help you, don’t get mad. Maybe they don’t know a lot of slang (I admit that I don’t) or they just don’t want to be “the ethnic girl that always has to explain ethnic culture to everyone” and that’s okay. Ask someone else. Post in the MM Romance Writers Group for help. I’m sure someone there will be able to answer your questions, or point you to someone who can. You can even reach out to me for African American culture information if you’d like.
And then when you’ve got that beautiful book with your beautiful POC MCs ready to go, pass it off to a beta reader or two who is a member of whatever group you wrote about. Ask them for honest feedback and LISTEN to that feedback. If they tell you a plot point or description made them uncomfortable, really consider if it’s something you might want to delete or rewrite. Don’t just perch on that “it’s my story and I have to tell the story within me” high horse. Is it worth alienating a group of readers for writing a Black man who has kids he doesn’t support? If you want to die on that stereotype hill and get dragged on Twitter, go ahead. But if you want to write a story featuring characters that multiple groups can love and make their book boyfriends, take that feedback into consideration.
The goal of this post isn’t to make anyone feel bad for anything they may have already written or deter a writer from creating a POC character. Far from it. Some people may think non-POC can’t write POC characters, but I’m not one of them. I think we need to have more minority characters. And yes, I do believe they can be written by authors who aren’t minorities. Because let’s be honest, the majority of m/m romance authors are women. So that means we had to do research to write about gay men and make sure we’re presenting their stories with compassionate consideration, yeah? That’s all us ethnic/POC/minority readers are asking for, a little bit of consideration.
If you're looking for m/m stories with POC characters, check out my
Bad Boys Need Love Too Series!
*My own non-dictionary approved definition of code-switching: When a speaker switches back and forth between language dialects. In this instance, switching between what we think of as proper American English and African American Vernacular English.
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My rambling and not at all edited thoughts on romance novels, writing, and pop culture.